Phantom Circuit #52 online now featuring an atmospheric set of live electronic music by Clutter recorded at Lanternhouse Ulverston.
The musician behind Clutter, Shaun Blezard, talks about some of his many current projects, the Open Circuit evenings, the creation of Soundonation and why it was time to retire his prolific netlabel Earth Monkey Productions.
http://phantomcircuit.wordpress.com/2010/11/05/phantom-circuit-52/
also for your Clutter related listening pleasure on Phantom Circuit:
Phantom Circuit #29 Show #29 features the entire live set by Clutter, recorded at the Wagon and Horses pub in Digbeth, Birmingham, in a night of music organised by Radio Black Forest.
http://phantomcircuit.wordpress.com/2009/08/25/phantom-circuit-29/
Phantom Circuit #18 Phantom Circuit visits Earth Monkey Productions, a prolific and highly regarded net-label based in Cumbria.
“Capt. Earth Monkey” himself, Shaun Blezard, talks about his solo project Clutter and other work, and, with additional contribution from Janice Benson, about some of EMP’s educational and community projects.
The music is mostly taken from a handful of the experimental, ambient or just plain unusual releases on Earth Monkey, along with a few illustrative interlopers to spice the pot.
http://phantomcircuit.wordpress.com/2009/04/19/phantom-circuit-18/
Showing posts with label clutter. Show all posts
Showing posts with label clutter. Show all posts
Friday, 5 November 2010
Thursday, 8 July 2010
Why start Soundonation?
After around 15 years of working with loops, field recordings, electroacoustics, doing remixes and the like and getting into improvisation more and more I've become increasingly aware and interested in the reasons we make the choices we do in creating music. Why do we choose a particular chord, why do those 2 sounds work together, why did I do that when they played that?
I improvise a lot in creating my music - improvise, edit, improvise around in circles, removing bits I don't like till I arrive at a piece I suddenly think is 'finished'. Repeat till you have something you feel is worth releasing. I wonder why I go down certain routes while others close themselves off. I find improvising a great way to getting tracks started. mmm starting points??
Starting points are always things of great interest, why does something jump out and evolve into a piece of music, it's a quick process, we select the sounds we like in an instant and disregard those we don't just as quickly. I often do a round of field recordings to start a project and edit out bits I like which become my building blocks. Do I have an aesthetic that makes me choose certain sounds? Probably...
And so I thought it would be interesting to try and bypass this starting point and throw it open to chance and ask people to donate sounds to me and build the album purely from donations. This in itself I find an interesting prospect - who will give me something for nothing? I'm asking for you to give me sounds so I can make an album to sell and keep the money for myself - why should you? Answers on a postcard to the usual address..... I'm hoping you will because the project is interesting, because you're kind, genorous, thought it might be fun to see what I do with it, you may even want to send a 'curve ball' and see if I will use it...
Well if it is of interest and you do want to send me something email me at info@shaunblezard.com - subject 'sound donation'
cheers
Shaun
I improvise a lot in creating my music - improvise, edit, improvise around in circles, removing bits I don't like till I arrive at a piece I suddenly think is 'finished'. Repeat till you have something you feel is worth releasing. I wonder why I go down certain routes while others close themselves off. I find improvising a great way to getting tracks started. mmm starting points??
Starting points are always things of great interest, why does something jump out and evolve into a piece of music, it's a quick process, we select the sounds we like in an instant and disregard those we don't just as quickly. I often do a round of field recordings to start a project and edit out bits I like which become my building blocks. Do I have an aesthetic that makes me choose certain sounds? Probably...
And so I thought it would be interesting to try and bypass this starting point and throw it open to chance and ask people to donate sounds to me and build the album purely from donations. This in itself I find an interesting prospect - who will give me something for nothing? I'm asking for you to give me sounds so I can make an album to sell and keep the money for myself - why should you? Answers on a postcard to the usual address..... I'm hoping you will because the project is interesting, because you're kind, genorous, thought it might be fun to see what I do with it, you may even want to send a 'curve ball' and see if I will use it...
Well if it is of interest and you do want to send me something email me at info@shaunblezard.com - subject 'sound donation'
cheers
Shaun
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